<?xml version="1.0" encoding="utf-8"?>
<journal>
<title>Journal of Studies in Applied Language</title>
<title_fa>Ø²Ø¨Ø§Ù† Ú©Ø§ÙˆÛŒ Ú©Ø§Ø±Ø¨Ø±Ø¯ÛŒ</title_fa>
<short_title>JSAL</short_title>
<subject>Literature &amp; Humanities</subject>
<web_url>http://jsal.ierf.ir</web_url>
<journal_hbi_system_id>1</journal_hbi_system_id>
<journal_hbi_system_user>admin</journal_hbi_system_user>
<journal_id_issn>2980-9304</journal_id_issn>
<journal_id_issn_online>2980-9304</journal_id_issn_online>
<journal_id_pii></journal_id_pii>
<journal_id_doi>10.61186/jsal</journal_id_doi>
<journal_id_iranmedex></journal_id_iranmedex>
<journal_id_magiran></journal_id_magiran>
<journal_id_sid></journal_id_sid>
<journal_id_nlai></journal_id_nlai>
<journal_id_science></journal_id_science>
<language>fa</language>
<pubdate>
	<type>jalali</type>
	<year>1400</year>
	<month>6</month>
	<day>1</day>
</pubdate>
<pubdate>
	<type>gregorian</type>
	<year>2021</year>
	<month>9</month>
	<day>1</day>
</pubdate>
<volume>4</volume>
<number>2</number>
<publish_type>online</publish_type>
<publish_edition>1</publish_edition>
<article_type>fulltext</article_type>
<articleset>
	<article>


	<language>fa</language>
	<article_id_doi></article_id_doi>
	<title_fa>Ø²Ø¨Ø§Ù† Ø³ØªØ§ÛŒØ´ Ø¯Ø± Ù…Ù‚Ø§Ø¨Ù„ Ø²Ø¨Ø§Ù† ØªØ­Ù‚ÛŒØ± Ø¯Ø± ØºØ²Ù„ Ø´Ú©Ø³Ù¾ÛŒØ± [Ø¨Ù‡ Ø§Ù†Ú¯Ù„ÛŒØ³ÛŒ]</title_fa>
	<title>Language of Praise versus Language of Degradation In Shakespeareâ€™s Sonnets [In English]</title>
	<subject_fa>Ø²Ø¨Ø§Ù† Ø´Ù†Ø§Ø³ÛŒ Ø§Ø¬ØªÙ…Ø§Ø¹ÛŒ</subject_fa>
	<subject>Sociolinguistics</subject>
	<content_type_fa>Ù¾Ú˜ÙˆÙ‡Ø´ÙŠ</content_type_fa>
	<content_type>Research</content_type>
	<abstract_fa>&lt;div dir=&quot;rtl&quot; style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;line-height:2;&quot;&gt;&lt;span style=&quot;font-family:nasimYW;&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span class=&quot;HwtZe&quot; jsaction=&quot;mouseup:Sxi9L,BR6jm; mousedown:qjlr0e&quot; jsname=&quot;jqKxS&quot; lang=&quot;fa&quot;&gt;&lt;span class=&quot;jCAhz ChMk0b&quot; jsaction=&quot;agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb&quot; jscontroller=&quot;BiTO4b&quot; jsname=&quot;txFAF&quot;&gt;&lt;span class=&quot;ryNqvb&quot; jsaction=&quot;click:PDNqTc,GFf3ac,qlVvte;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:PDNqTc,c2aHje&quot; jsname=&quot;W297wb&quot;&gt;Ø¨Ø§ ØªÙˆØ¬Ù‡ Ø¨Ù‡ Ø±Ø³ÙˆØ§ÛŒÛŒ Ø§Ø¬ØªÙ…Ø§Ø¹ÛŒ Ù…Ø±Ø¯Ù…ØŒ ÛŒÚ© Ù…Ø±Ø¯ Ø¬ÙˆØ§Ù† Ùˆ ÛŒÚ© Ø¨Ø§Ù†ÙˆÛŒ Ø³ÛŒØ§Ù‡ Ù¾ÙˆØ³ØªØŒ Ú©Ù‡ Ø¯Ø± ØºØ²Ù„ÛŒØ§Øª ÙˆÛŒÙ„ÛŒØ§Ù… Ø´Ú©Ø³Ù¾ÛŒØ± Ùˆ Ù‡ÙˆÛŒØª ÙˆØ§Ù‚Ø¹ÛŒ Ø¢Ù†Ù‡Ø§ Ù…Ø·Ø±Ø­ Ø´Ø¯Ù‡ Ø§Ø³ØªØŒ Ù‡Ø¯Ù Ù¾Ú˜ÙˆÙ‡Ø´ Ø­Ø§Ø¶Ø± Ù†Ø´Ø§Ù† Ø¯Ø§Ø¯Ù† Ø§ÛŒÙ† ÙˆØ§Ù‚Ø¹ÛŒØª Ø§Ø³Øª Ú©Ù‡ ØªÙˆØ¬Ù‡ Ø¨ÛŒØ´ Ø§Ø² Ø­Ø¯ Ø¨Ù‡ Ú†Ù†ÛŒÙ† Ù…ÙˆØ¶ÙˆØ¹Ø§ØªÛŒ ØªÙˆØ³Ø· Ø§ÛŒÙ† Ø§ÙØ±Ø§Ø¯ Ù¾Ø±Ø¯Ø§Ø®ØªÙ‡ Ø´Ø¯Ù‡ Ø§Ø³Øª.&lt;/span&gt;&lt;/span&gt; &lt;span class=&quot;jCAhz ChMk0b&quot; jsaction=&quot;agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb&quot; jscontroller=&quot;BiTO4b&quot; jsname=&quot;txFAF&quot;&gt;&lt;span class=&quot;ryNqvb&quot; jsaction=&quot;click:PDNqTc,GFf3ac,qlVvte;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:PDNqTc,c2aHje&quot; jsname=&quot;W297wb&quot;&gt;Ø¨ÛŒ Ø§Ø¹ØªÙ†Ø§ÛŒÛŒ Ø¨Ù‡ ØªØ¨Ø¹ÛŒØ¶ÛŒ Ú©Ù‡ Ø´Ø§Ø¹Ø± Ø¹Ù„ÛŒÙ‡ Ø¢Ù† Ø¨Ø§Ù†Ùˆ Ø§ÛŒØ¬Ø§Ø¯ Ú©Ø±Ø¯Ù‡ Ø¨ÙˆØ¯.&lt;/span&gt;&lt;/span&gt; &lt;span class=&quot;jCAhz ChMk0b&quot; jsaction=&quot;agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb&quot; jscontroller=&quot;BiTO4b&quot; jsname=&quot;txFAF&quot;&gt;&lt;span class=&quot;ryNqvb&quot; jsaction=&quot;click:PDNqTc,GFf3ac,qlVvte;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:PDNqTc,c2aHje&quot; jsname=&quot;W297wb&quot;&gt;Ø§ÛŒÙ† Ø§Ù‚Ø¯Ø§Ù… Ø¸Ø§Ù„Ù…Ø§Ù†Ù‡ Ù‡Ù… Ø¯Ø± Ø²Ø¨Ø§Ù† ØªØ­Ù‚ÛŒØ± Ú©Ù‡ Ø§Ùˆ Ø¨Ø±Ø§ÛŒ ØªÙˆØµÛŒÙ Ø¨Ø§Ù†ÙˆÛŒ ØªØ§Ø±ÛŒÚ© Ø¨Ù‡ Ú©Ø§Ø± Ù…ÛŒ Ø¨Ø±Ø¯ Ùˆ Ù‡Ù… Ø¯Ø± Ø²Ø¨Ø§Ù† ØªÙ…Ø¬ÛŒØ¯ Ø¨Ø±Ø§ÛŒ Ù…Ø±Ø¯ Ø¬ÙˆØ§Ù† Ùˆ Ù‡Ù… Ø¯Ø± Ø´Ù…Ø§Ø± Ù†Ø§Ù…ØªÙ‚Ø§Ø±Ù† ØºØ²Ù„ Ù‡Ø§ÛŒÛŒ Ú©Ù‡ Ø¨Ù‡ Ù‡Ø± ÛŒÚ© Ø§Ø² Ø¢Ù†Ù‡Ø§ Ø§Ø®ØªØµØ§Øµ Ø¯Ø§Ø¯Ù‡ Ø´Ø¯Ù‡ Ø§Ø³Øª Ø¨Ù‡ Ø·ÙˆØ± Ù…Ø­Ø³ÙˆØ³ÛŒ ÙˆØ¬ÙˆØ¯ Ø¯Ø§Ø±Ø¯.&lt;/span&gt;&lt;/span&gt; &lt;span class=&quot;jCAhz ChMk0b&quot; jsaction=&quot;agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb&quot; jscontroller=&quot;BiTO4b&quot; jsname=&quot;txFAF&quot;&gt;&lt;span class=&quot;ryNqvb&quot; jsaction=&quot;click:PDNqTc,GFf3ac,qlVvte;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:PDNqTc,c2aHje&quot; jsname=&quot;W297wb&quot;&gt;Ø¨Ø¯ÛŒÙ† Ù…Ù†Ø¸ÙˆØ±ØŒ Ø¹Ù„Øª Ø§ÛŒÙ† Ù†Ù‚Øµ Ø¯Ø± ØºØ²Ù„ Ù‡Ø§ Ø¨Ø§ Ø¨Ø­Ø« Ù‡Ø§ÛŒ Ú©Ù„ÛŒ Ùˆ Ø¬Ø²Ø¦ÛŒ Ø§Ø² Ø¢Ù†Ù‡Ø§ Ø¯Ø± Ù¾Ø±ØªÙˆ ØªØ§Ø±ÛŒØ® Ù†Ú¯Ø±ÛŒ Ù†Ùˆ Ùˆ ÙÙ…ÛŒÙ†ÛŒØ³Ù… ÙØ±Ø§Ù†Ø³ÙˆÛŒ Ø¨Ù‡ Ø¹Ù†ÙˆØ§Ù† Ú†Ø§Ø±Ú†ÙˆØ¨ Ù‡Ø§ÛŒ Ù†Ø¸Ø±ÛŒØŒ Ø¨Ù‡ Ø·ÙˆØ± Ø§Ù†ØªÙ‚Ø§Ø¯ÛŒ Ú©Ø´Ù Ù…ÛŒ Ø´ÙˆØ¯.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</abstract_fa>
	<abstract>&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size:11pt&quot;&gt;&lt;span style=&quot;line-height:normal&quot;&gt;&lt;span style=&quot;text-autospace:none&quot;&gt;&lt;span style=&quot;unicode-bidi:embed&quot;&gt;&lt;span calibri=&quot;&quot; style=&quot;font-family:&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;Concerning the scandal about the sexuality of the people, a young man and a dark lady, addressed in the Sonnets of William Shakespeare and their true identities, the present study aims at highlighting the fact that too much concern for such matters has been paid for by ignoring the discrimination that the poet had brought against the lady. This oppressive measure is tangibly present in both the language of degradation that he uses for describing the dark lady versus the language of glorification for the young man, and also the uneven number of the sonnets devoted to each of them. To this end, the reason for this defect in the sonnets is critically detected through general and particular discussions of them in the light of New Historicism and French Feminism as theoretical frameworks.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;</abstract>
	<keyword_fa>Ø´Ø¹Ø± Ù…Ø¹Ø§ØµØ±, ØªØ§Ø±ÛŒØ® Ù†Ú¯Ø±ÛŒ Ø¬Ø¯ÛŒØ¯ Ø´Ú©Ø³Ù¾ÛŒØ±, Ø±ÙˆÛŒÚ©Ø±Ø¯ ÙÙ…ÛŒÙ†ÛŒØ³Ù…, Ø²Ø¨Ø§Ù† ØªØ­Ù‚ÛŒØ±, Ø²Ø¨Ø§Ù† Ø³ØªØ§ÛŒØ´</keyword_fa>
	<keyword>The sonnets, Shakespeare New Historicism, Feminism, language of degradation, language of praise</keyword>
	<start_page>95</start_page>
	<end_page>106</end_page>
	<web_url>http://jsal.ierf.ir/browse.php?a_code=A-10-2-29&amp;slc_lang=fa&amp;sid=1</web_url>


<author_list>
	<author>
	<first_name>Abbas </first_name>
	<middle_name></middle_name>
	<last_name>Goudarzi </last_name>
	<suffix></suffix>
	<first_name_fa>Ø¹Ø¨Ø§Ø³</first_name_fa>
	<middle_name_fa></middle_name_fa>
	<last_name_fa>Ú¯ÙˆØ¯Ø±Ø²ÛŒ</last_name_fa>
	<suffix_fa></suffix_fa>
	<email>godarziabbas@gmail.com</email>
	<code>1003194753284600769</code>
	<orcid>1003194753284600769</orcid>
	<coreauthor>Yes
</coreauthor>
	<affiliation>Hamedan Branch, Islamic Azad University, Hamedan, Iran</affiliation>
	<affiliation_fa>Ø¯Ø§Ù†Ø´Ú¯Ø§Ù‡ Ø¢Ø²Ø§Ø¯ Ø§Ø³Ù„Ø§Ù…ÛŒØŒ ÙˆØ§Ø­Ø¯ Ù‡Ù…Ø¯Ø§Ù†ØŒ Ù‡Ù…Ø¯Ø§Ù†ØŒ Ø§ÛŒØ±Ø§Ù†</affiliation_fa>
	 </author>


</author_list>


	</article>
</articleset>
</journal>
